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Pearl Ubungen

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Death and Art in Everyday Life

DeathLady
Photo: Christine Alicino


ubungen’s Death and Art sources the view of Buddhist teachings on death and dying as a way to pay closer attention to the realities of  impermanence and change in our lives. Death and Art emphasizes a creative learning process that holds death as a common, shared experience, as opposed to a shocking, near unbelievable occurrence.

Through Death and Art ubungen works with select texts in a contemplative environment, mixing view and meditation, while creating a supportive container for  participants to reflect on their individual experience with death and loss.

Core to Death and Art is the notion of “bardo” — the space between or gap which is cultivated through the practice of meditation. Death and Art also features structured movement improvisations that serve to embody and seal the learning process.

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Sacred City: Contemplations on Loss, Betrayal and Death by Gentrification

pearl-as-lady-justiceSacred City | pearl ubungen utilizes an interdisciplinary process that brings activism, the arts and dharma practices into close proximity. Sacred City centers the urban terrain of Occupied Yelamu (San Francisco) and extends to ancestral homelands. Through contemplative practices and community engagement Sacred City cultivates resistance to erasure, displacement and the violence that accompanies hyper gentrification and its root causes.

Awareness Through Movement (ATM)

ATM_sidebarpearl ubungen teaches Awareness Through Movement (ATM) of the Feldenkrais Method in large class and intimate group settings. Created by Moshe Feldenkrais, ATM is a form of  somatic education that encourages deep relaxation as well as embodied learning through  subtle, gentle movements of the body.

Refugee

Refugee (1995) Pearl Ubungen Dancers and Musicians • United Nations Plaza, Civic Center, San Francisco • Watch video at larger size.

Refugee tells the story of universal human rights from the perspective of those who have been displaced from around the world but who continue to form new cross cultural communities as they resist the pressure of dislocation.

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